Saturday, June 21, 2008

the Happening



Tonight Kara and I went out to dinner and saw M. Night Shyamalan's new film - the Happening. I've been a big fan of Shyamalan's writing from day one. But I've tended to be drawn towards his less "successful" films. Unbreakable? Awesome! Lady in the Water? Loved it. The Sixth Sense? Yeah, that was alright. For some reason Shyamalan's skill at pulling off the twist ending has been like crack for audiences. They just want more. It's unfortunate, but he has quickly become typecast as the guy who does twist endings. And then he went out and made a wildly intelligent film like Lady in the Water and people were pissed! The same can be said for The Happening, people will not like this film and not because it's not a good film, but because it's not a "good Shyamalan film." Can we just judge him on the quality of his writing and not on whether or not he's still in the tiny box we found him in... 9 years ago!?!

If you take this film for what it is - a modern day paranoia suspense film - you can begin to appreciate it. If you just want to see the Sixth Sense again, then just go watch that film again. In fact, stay home, and keep watching it over and over again and stop going to Shyamalan movies and talking during them about how different they are than the Sixth Sense! Yes, dudes one row behind me, I'm talking to you!

[spoilers ahead!!!] The Happening is a paranoia film. Suspense from something so commonplace, so ordinary that it is inescapable. Ever see a little Hitchcock gem called The Birds? Suspense films don't have to be about insane serial killers, aliens from outer space, or ghosts... some of the most adrenaline inducing suspense films find their villans in the ordinary. And what could be more ordinary, what could be more inescapable than plants!? Or is it the plants? We don't know. Could it be? It seems like it might be. The questions about who or what is causing "the event" are nerve wracking. And then what happens to you once you are "infected" or whatever... you loose your survival instinct. In fact it is reversed! The thought that a chemical in the air could cause you to turn on yourself and willfully find a way to end your own life... now that's terror. And if that chemical came from some kind of a plant... well you'd have a hard time finding a safe place.

Why would plants do that? It's not even possible is it? "Whatever it was, it was some kind of act of nature and we'll never be able to explain it." I love that line. There's no need to explain what and why and how "the event" happened. First, because the characters in the film don't really know. They make some guesses, some hypothesis, but no one really knows. So we are left to wonder ourselves. And sure, in the midst of the suspense we might just stop to think about our impact on the environment. But if I was a little kid and I saw this film... I'd have a new "boogey man" to worry about...

the tree in my back yard...

the grass on my lawn...

the hanging plant in the hallway!!!

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Sunday, June 15, 2008

The Incredible Hulk



I went and saw The Incredible Hulk tonight while Kara was at Starbucks studying. For my birthday she gave me two gift cards to my two favorite movie theaters loaded to the gills. So I've been able to indulge my summer movie cravings to my heart's content.

Even though I never followed the Hulk comics, I'm usually game for a comic book film. I felt like I was one of the few people who appreciated Ang Lee's attempt to bring the Hulkster to life on screen back in 2003. That one was so roundly disappointing to so many people I was surprised to see that they gave it another try. As it turns out, this is part of Marvel's coming out party. They have started their own studio and aren't relying on other producers to make their films anymore, and the first two films coming from Marvel Studios - Iron Man and Hulk. So think of this as Hulk (re)boot. Scratch Ang Lee's film and let's start again.

Normally this would have put me off a bit, with the whole "let's try again" mentality. I probably would have caught Hulk on DVD if it weren't for Ed Norton. Now, there's a casting job to pique my interest. Then add to that the supposed feud between Norton and Marvel over how the film should be cut and I was hooked.

I've gotta say, I was impressed. This Hulk brought so much more of the raw power and fury to bear in its action scenes. The tender hearted moments are all done by Norton and not by the CGI Hulk (good move). It was a rip-roaring summer action flick. But it makes me wonder, what did they cut that Norton thought would have made it a better film? Will there be an Ed Norton Special Edition of the DVD?

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Thursday, June 12, 2008

Iron Man



I went out with one of the students from our church the other day to see Iron Man. I'd heard some great reviews and the buzz surrounding Iron Man was huge. Even with all the hype, Iron Man surpassed my expectations. I was pretty unfamiliar with the story line and had only recently overheard the "origin story" where Tony Stark, über-wealthy arms dealer, is captured by the enemies of America and is able to escape by building himself a robotic suit of armor. Fast-forward to 2008, update the enemies (Viet-cong to Afghani Terrorists) and we have today's Iron Man.

[spoilers ahead] I really enjoyed Robert Downey Jr.'s performance as the self-centered billionaire, Tony Stark. He brought the kind of "rough around the edges" persona needed for this character. It also makes Stark's conversion seem believable. And speaking of conversion, I was really surprised at some of the territory this film covered. There was a healthy dose of critique for the arms industry and Iron Man wasn't afraid to portray the United States for what we are, the largest and most indiscriminate arms dealer in the world. Stark learns this when he finds that his Afghani terrorist captors are using weapons that came from his own company. While it may be public knowledge that the United States armed both al Queda and Iraq... oh, and Iran, we don't often see that in the plot line of a blockbuster summer action flick. So to the writers with the gravitas to pull that one off... bravo.

Stark comes back from his captivity and has an incredible change of heart. As the president of the largest Arms Manufacturer in the world (Stark Industries), he holds a press conference and announces that Stark Industries will no longer be making weapons. The stock takes a 50 point nose dive and people begin to speculate if he is insane. Could you imagine if Lockheed Martin did something similar? Wow. Tony tries to steer the company towards more humanitarian pursuits while he begins to build the REAL version of his robotic suit of armor that got him out of Afghanistan. Don't get me wrong, this isn't a preachy Amnesty International film disguised as a superhero movie. It is still an action packed two-hours of eye candy... with a heart.

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Wednesday, May 14, 2008

Movie Meme

I saw this over at Wil's blog and couldn't resist doing it myself.

My movie meme

1. One movie that made you laugh
The Big Lebowski

2. One movie that made you cry
Field of Dreams.

3. One movie you loved when you were a child
The Empire Strikes Back

4. One movie you’ve seen more than once
Indiana Jones and the Last Crusade

5. One movie you loved, but were embarrassed to admit it
Bad Boys 2

6. One movie you hated
Open Water

7. One movie that scared you
The Descent

8. One movie that bored you
Doomsday

9. One movie that made you happy
The Goonies

10. One movie that made you miserable
Who Killed the Electric Car?

11. One movie you weren’t brave enough to see
Those sick torture movies that are popular now... Hostel, Saw, etc.

12. One movie character you’ve fallen in love with
Samwise Gamgee

13. The last movie you saw
Cloverfield

14. The next movie you hope to see
Indiana Jones and the Kingdom of the Crystal Skull

15. Your favorite movie
Donnie Darko (Directors Cut)... or Pan's Labyrinth

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Tuesday, May 13, 2008

Cloverfield



I had hoped to see Cloverfield in the theater back in January when it first came out but never got around to it. So while I was in Blockbuster the other day looking for another film I was using in a message at youth group I picked it up. I can't remember where, but I had been hearing some discouraging things about Cloverfield since it came out. Regardless of what people had been saying I was going to give it a shot, not the least bit because J.J. Abrams was involved in the project.

I loved it. And in retrospect I'm actually glad I had heard some negative reviews because I saw it without it having been over-hyped. To grossly oversimplify, Cloverfield is somewhere between Blair Witch and Godzilla. Some kind of creatures begin to attack Manhattan but we see everything from the point of view of a hand-held camcorder manned by one of the main characters. To paraphrase the filmmakers, there's this huge disaster happening on an enormous scale but we're looking at it through a soda straw. While the camera work made some moviegoers sick... literally, I found that it drew me right into a familiar (and by now, predictably boring) storyline - the disaster movie. The creative perspective given to this storyline in effect redefined the boundaries of a disaster movie and the result is anything but campy.

[spoilers ahead] Cloverfield just entirely abandons many of the staples of the disaster film. We don't get to sit in on any high-level military meetings on how to kill off the monsters. We don't get to see the the monsters arrive and brush by unsuspecting people before it all hits the fan, we don't really even see the "end" of the whole drama. Instead we simply get the hand-held camera view of what happens to 4 friends in the midst of this whole disaster. We know as much as they know. We are as in the dark as they are. There is no third person narrative, we experience the entire film from the first person point of view. As a horror technique I found this extremely effective because the anxiety that accompanies ignorance is so much greater than the fear from a well framed close up of some really well done digital creature. For much of the film we are really very ignorant of what is really happening. There is the tidbit of info from the random solider, but for the most part we walk through the film in the dark with the main characters.

The opening credits set the premise that the film we are watching isn't a film, it's just a tape that was found in the wreckage. There's no editing, there's no commentary, we're just going to watch what was on this tape. This would seem like it would significantly limit the ability to do any character development or deeper storytelling. However the filmmakers used the "this is just a tape" premise to their advantage in a move of brilliance. We find out pretty early on in the film that our videographer, Hud, didn't use a new tape, but he's taping over a pretty special video his best friend and our protagonist, Rob, had taken of a day he spent with longtime friend, Lily, who for that one day, became something more. Lily is trapped in an apartment and Rob, against all common sense is going in after her. We are able to get a little backstory and character development from some of the gaps between Hud's filming where the original tape isn't recorded over. Genius.

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Thursday, February 21, 2008

There Will Be Blood


I've been sitting on this post for a while now, I saw There Will Be Blood back in January with Kaz and I've been thinking about it ever since. Blood was so good, so memorable on so many different levels its hard to know where to begin talking about it. But here goes...

Protagonist (the hero)
This brutal bio-pic of fictional oilman Daniel Plainview has no classical protagonist. To be sure Plainview is the driving force of the film and thus he is the protagonist, but there are no heroes in the classical sense, no "good" characters with the exception of H.W. who is visible in much of the film but has a mostly background role. Plainview's most notable nemesis, the pentecostal boy-preacher, Eli, is just as twisted a character as Daniel himself and Daniel's "brother" Henry Plainview/Brands we find is just a posing conman.

Unconventional story arc
While films like Eastern Promises and No Country for Old Men have raised the bar for unconventional story arcs this year, it's certainly true that Blood was unconventional in its own way. We begin with Plainview picking away at the earth deep in a hole in the desert and end with him as a wealthy oil tycoon. But what lies in between didn't feel as much like character development as it did character intensification. Daniel doesn't have any a-ha moment, any crisis that particularly changes his course. He is ambition embodied. He is drivenness in human form. Like many tracks from the score, Daniel's is not so much a tale of "beginning, middle and end," but rather of snowballing intensification. If there is a climax in the story it is Daniel's "conversion" moment but this changes nothing about where Daniel was headed or where he will end up. It is an emotional climax for us the viewer, but it is simply one more step along Daniel's ever intensifying journey of greed and conquest. The film ends, not after the story has been neatly tied up, but after one of the most shocking moments in the story.

Acting
Daniel Day-Lewis gives what has to be one of the best performances I have ever seen. His character will be burned in my memory forever. Paul Dano's (who played the older brother in Little Miss Sunshine) portrayal of the young preacher Eli Sunday was nuanced so well that it always keeps you guessing as to how much he buys into his own message, just terriffic.

Score
Jonny Greenwood's (from Radiohead) score provided the snowballing and ever-intensifying context that the film swam in. In scenes where visually there might not have been much to make you anxious the soundtrack kept thumping that theme home.

Poetic Justice?
During the film we come to really sit uneasy with both Daniel and Eli's characters. Both have moments where they are taken down a notch by the other (final tally Daniel 2, Eli 1). In all three cases I found myself taking some satisfaction in their being brought low by the other while never really rooting for the one doing the humiliating. Daniel does get the last laugh in a haunting scene where Eli is coaxed into making a dramatic pronouncement of unbelief with all the pentecostal flair he could muster to match exactly in the inverse the "getting saved" scene he made Daniel put on before the church.

I feel like I just scratched the surface on what was undoubtably one of the best films of the year. Oh and... "I. DRINK. YOUR. MILKSHAKE! ... I DRINK IT UP!" I couldn't resist.

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Friday, January 25, 2008

Juno


Fox Searchlight has either done a great job of picking up indie films over the past few years or they've done a great job of intentionally producing "indie-ish" films over the years. Either way, I've really enjoyed the stuff they've been putting out of late. Juno is the tale of an oddball high schooler who gets pregnant and decides to go through with the pregnancy and give her little sea monkey up for adoption (good for her). Juno is one of those special kinds of people who speaks in a never ending stream of witticisms and poetic sarcasm and yet after a few minutes it feels natural... somehow. What I most appreciated about Juno was the dedication to imperfect, weird characters. No one gets a pass. The would-be suburbanite parents Juno wants to give her baby to are much more broken and odd than appearances first let on. The husband, Mark, is a failed musician writing jingles for commercials who still has aspirations to become a rock superstar. His wife, Vanessa, has become a one-woman religion dedicating herself to "becoming a mother." Her devotion to this task borders on creepy at times. Juno and her baby-daddy, Paulie Bleeker (played by Michael Cera) have plenty of their own coming-of age issues to work out in the midst of bringing a baby into the world and seeing if they might dive dating a second chance (or first, depending on who you ask). It's a touching film without feeling contrived or sentimental.

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No Country for Old Men


While Kara has been working feverishly to finish up her final papers for the semester she's given me leave to take off and watch movies. This serves dual purposes of not having me around to distract her while she's hardest at work and it gives me the chance to go watch some films that aren't exactly on the top of her list. One of these films was No Country for Old Men.

I grew up in the desert of eastern New Mexico and this film flawlessly captures the quiet, echoing wide-open spaces that the eastern New Mexico/west Texas desert is made of. There are long periods of time where dramatic landscape is accompanied by an equally dramatic silence. This is fitting for the desert of the southwest. Quiet. Dry. Hot. Windy. All these pieces of the setting make this the perfect place for an incredible thriller. But the acting in No Country for Old Men is far weighter than that in a thriller film, it's too nuanced and real to be a horror flick. But I found the mundane elements that dominate the film to make the horror all the more scary.

What's more, I was very pleased to see the story follow a trajectory that was authentic to the groundwork it had already laid [read: bleak and mundane] rather than throwing on the breaks at the very end in order to give the standard happy hollywood ending. By the way this is something that made my fellow moviegoers very unhappy... to the point of actually booing the ending of the film. I however, was cringing near the end fearfully waiting for everything to get tied up in a neat bow. Lucky for me, there was no bow, no finish that would wipe out or give a sigh of relief to the events that had just transpired. I got the sense that I had only seen a window of time in the life of a few people from a town in west Texas. There is no real sense of beginning middle and end, but instead a whole lot of middle. I found that to be more true to life than had this story been neatly packaged with a "fitting ending" where justice is served and we can all go home and erase the brutality of Anton because he got his just desserts.

So as it is with so many films, the best ones often do not have "happy" endings or uplifting subject matter, but are brutally honest in how tragic events can end up. Frustratingly tragic and anti-climatic.

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Thursday, December 27, 2007

I Am Legend


Kara and I got to go see Will Smith's new sci-fi dystopian flick, I Am Legend this past week. I had been looking forward to this film since I saw the first trailer so I've been trying to avoid all the trailers since to preserve at least some kind of surprise. I find that these blockbusters have a tendency to get over exposed in their trailers. So after almost a month of shielding my eyes every time the trailer would come on tv we finally were able to see the flick.

[spoilers to follow from here on out]
I was happily surprised at much of the film, for instance the opening sequence where Robert Neville (played by Smith) is deer hunting in downtown Manhattan by chasing his prey down in a Ford Mustang with an assault rifle hanging out the window was eerily reminiscent of one of the first scenes of 28 Days Later where the streets of London are entirely abandoned. At times Legend had the kind of adrenaline inducing scenes of anxiety mixed with terror (the scene when Smith gets trapped by the "dark seekers" is particularly well done), but what I was most surprised about and most appreciative of was Smith's performance. He masterfully portrays a scientist wrecked by tragedy after tragedy who is in turn driven and disciplined to fix what has happened around him. But no amount of testing rats with "the virus" is enough to keep this man from crumbling under the weight of being so alone. Smith portrays Neville as being on the verge of entirely losing it if not for the companionship of his German Shepherd, Sam. Neville's relationship with Sam reminded me of Chuck Noland's relationship with the volleyball Wilson in Cast Away. Sam becomes Neville's best friend, conversation partner, child.

It's not a flawless film by any means but the criticisms I would have would only make for a longer film (which I'm almost always for anyhow). One thing that was puzzling about the film was the shift at the very end when it apparently becomes a tribute biopic of the fictional Robert Neville. It's a great film to check out this holiday season for both the suspense and Smith's performance.

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Saturday, November 03, 2007

Arrested Development


Last week Kara and I watched the final episode of Arrested Development. We'd stretched watching the three seasons of the show over two years. We felt guilty that we were not among the loyal fans of the show when it was on the air. But like so many people we only came to know of Arrested Development after the fact. How lame is that! COME ON!

Buster, we will miss your one-handed mama's boy hilarity.

George, we will miss your fanatical drive to stay out of prison even though it was the only place you really belonged.

Lucille, we will miss your pre-lunch vodka rituals.

Gob, we will miss you accidentally spraying lighter fluid on strangers and then explaining how the magic trick should have worked with enough flare to last any normal human being a lifetime.

Lindsey, we will miss your sad attempts at flirting.

Michael, we will miss your constant need to be a better dad than your own... and how you always find a way to mess it up.

George Michael, we will miss you boyish awkwardness (actually we probably won't because you're in tons of movies these days reprising that part).

Tobias, we will miss all the ways in which you would unknowingly speak in innuendo.

Maybe, we will miss seeing all of your below average B-movies and their theme park offshoots.

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Wednesday, October 24, 2007

March of the Penguins



A few weeks ago Kara and I finally watched Happy Feet. I didn't really feel like blogging about it. It was alright for an animated film, but was nowhere as memorable as a film like Finding Nemo. Even as a person who supported the "message" in Happy Feet (cultural tolerance, global warming awareness, environmentalism) I felt beat over the head with these themes. There was little to no subtlety in the approach and the result was a story that suffered. That being said, Robin Williams was still great.

Then there's March of the Penguins. Pretty much the exact same film, only it's a live action documentary. Well to be fair, it seems like Happy Feet took March of the Penguins and added pop music and Saturday-morning morality.

Morgan Freeman narrates the yearly journey the penguins make from the shores of Antarctica to 70 miles "inland" (or is it inice?) where they mate, lay eggs, and care for the eggs in the midst of the harshest cold weather on earth. It was mind-blowing. I was amazed the entire time that any of this could be possible, let alone just normal penguin life. The fathers go without food for around 4 months in order to make the journey inland and then care for the eggs. It seemed as though these penguins lived lives of perpetual sacrifice and hardship in order to continue their species. I am amazed at God's creativity in his creation.

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Monday, October 22, 2007

The Darjeeling Ltd.



Kara and I caught Wes Anderson's new film The Darjeeling Limited the other night at Princeton's little art-house theater, the Princeton Garden. It is the story of three estranged brothers who meet in India at the request of the oldest brother. They board the Darjeeling train looking for a spiritual journey. Like all of Anderson's films, Darjeeling is funny... but not that kind of funny. It's funny in the way that looking back on life can be funny, a mixture of tears and laughter. The three brothers are very broken people, untrusting, dishonest, depressed, bandaged... people. They can't go a minute into their spiritual journey without being interrupted by each other. As adults they continue to live out brotherly tensions. In the midst of their journey in the heart of India they face some particularly hard times, but do so as brothers and friends. In the end we realize it is particularly good news that brothers from this family stuck together.

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Saturday, October 20, 2007

The Queen



I finally got around to watching The Queen, which hit it big this past year at the Oscars. The Queen follows the reaction (or lack thereof) of Queen Elizabeth in the wake of Princess Diana's death in Paris. I was still in High School when Diana was killed in that car accident. I didn't really know much about her at the time and have only recently come to realize the roll she played in global activism for things dear to my own heart. All that aside, that's not why I wanted to watch The Queen. Rather, it was all the hype surrounding Hellen Mirren's portrayal of Elizabeth. I was actually surprised at the way in which her performance excelled. Unlike Forrest Whitaker's performance in Last King of Scotland, which was so powerful that you never stopped thinking "wow, this is really incredible acting," Mirren's performance is so subtle that you get drawn into the story and only afterwards realize what a performance it was. In the end I think that's probably the best kind of acting, the kind that makes you forget someone is actually acting (even if it doesn't come off as overwhelmingly powerful).

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Saturday, September 29, 2007

Across the Universe



Kara and I just got back from Across the Universe. This is a musical-film not too unlike Moulin Rouge in concept. It is the story of the turbulent 60's (race riots, Vietnam war, drug culture, etc.) told through the songs of the Beatles. In one ad I saw the tag line was "In the lyrics of the world's best known songs lies a story that has never been told... until now." A fitting description. Across the Universe takes incredibly popular even ubiquitous Beatles songs that can seem sentimental to us young folk and puts them back in the uncertain times from where they came. So much more than a music video could, this film embodies the Beatles music, letting the lyrics rise from the people who sang these songs as if they were their own stories.

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Monday, September 03, 2007

Iraq for Sale



Iraq for Sale is a documentary about the corporations that have been given contracts to do work formerly done by the military, and how a corporation's first priority to make as much profit as possible is in direct conflict with what is good for the American military and the American taxpayer.

I first heard about this phenomenon (specifically Blackwater's role in Iraq) on NPR sometime last year, so I was very interested when I found this documentary. Blackwater is a corporation that offers specialized military forces. They are not part of the US military, they are a private firm that can be hired to perform military-like duties. The US military out-sources a lot of work to firms like Blackwater, CACI and KBR (a division of Halliburton). These firms do a number of jobs such as providing security to top level officials, washing soldiers laundry and even interrogating prisoners at places like Abu Ghraib.

Some of these corporations are getting attention because information has come out showing that they've been ripping off the government, for example KBR was charging $95 to do a load of laundry for soldiers in Iraq. Stuff like that. These corporations are getting contracts to do things the military used to do itself and then they, like all corporations, proceed to maximize profit. You can imagine that a lot of patriotic folks are unjustifiably upset about how these corporations are putting profit over serving the military and about the cost to the American taxpayer for the incredible waste. My own anger over the issue has less to do with how this affects my taxes. What upsets me is the incredible profit war provides some corporations. This is only exponentially so in an administration so committed to the "free market" that they out-source intelligence gathering and interrogation to a private corporation. Of course this shields most of what happens in such operations from any kind of criminal prosecution. If a soldier harms an Iraqi civilian they can be court martialed. If a Blackwater employee kills an Iraqi civilian they cannot be brought to trial.

This marriage between military-corporations and the US government is a particularly horrible one. When war breaks out these corporations stand to make HUGE profits, and when the government uses these corporations there is an added "safety layer" from investigation and prosecution. These corporations are staffed by surprise... former government and military officials. This marriage only serves to make war an incredibly lucrative business to be in and consequently much more frequent.

Have mercy on us Jesus. Your ways are love and peace, but our ways are greed and violence. You are THE truth, but we are a people of deception and lies.

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Sunday, August 26, 2007

Liturgical Film - Advent



This past year I've been thinking a lot about film as a medium to tell the stories of our faith. At the same time the church calendar has been increasingly guiding my own journey through the year and shaping my faith. In this vein I got together with some friends (like Wil and Thomas) last November to create our first "liturgical film" which we intended to be a narrative short film that told an Advent story. Not "the" Advent story, but an "Adventish" story. What we were setting out to do was to take everyday life and (re)narrate life by connecting it to the different stories we tell at each season. Our Advent film was about waiting, hope vs. cynicism, what it looks like to look forward to the return of Christ. It was a learning process in many ways but sparked something that I hope will continue.

So over the next week or so I'm going to be asking you to think liturgically with me about films we've already seen. And appropriately so, we'll begin with Advent. What films have you seen that strike you as having an "Adventish" feel to them. What films tell an Advent story even though they may not intend to? Why? Let's (re)examine some movies in light of the Advent story!

I'll get us started. Among the top "Advent" films on my list would be last year's Children of Men. This is a story about a deeply troubled dystopian future where women no longer are able to bear children. Those on the margins of society, minorities, immigrants, etc. are trampled upon by the oppressive government. The population is in despair and most give in to either depression or cynicism. Suicide is a given (and widely advertised) part of day to day life. These are a people whose future is in limbo. And then a child is born. The very presence of this child brings hope to a people who were previously hopeless. This child means that a future is possible. He is not born to those in power but rather to a poor immigrant, and early on his life is in danger from those who would take him from his parents. The fate of the world hangs entirely in the tiny hands of a baby born to a poor mother.

So, what about you?

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Saturday, August 18, 2007

the Invasion



Kara and I walked over to our favorite local theatre last night to catch the Invasion. Thanks to Rusty for the heads up on this film several weeks ago. The Invasion was an interesting thriller playing in the schoolyard somewhere between zombie movies and twilight zone episodes about space aliens. This alien invasion/zombie/virus outbreak thriller doesn't wait long to let the cat out of the bag, you know exactly what's going on within the first part of the film but that only serves to unnerve you all the more for the duration of the film. (spoiler alert) The crux of the problem are these microscopic alien spores that attach themselves to your cells, effectively hijacking your DNA and therefore you, without changing anything about your appearance or memory. This process happens during REM sleep after you have come in contact with one of the spores (through a kiss, a handshake, or you know... getting pinned down and having your face puked on!). What becomes one of the creepiest elements of the film is the nonchalant way in which the ever increasing number of aliens calmly "hunt" down people, infect them and then let them loose, knowing that all it will take to bring the prey to "their side" is a little bit of sleep. The infected show no emotion and act like automatons, it feels at times like a massive case of group-think a la 1984, and as we learn later (spoiler alert) that's exactly what's happening. The infected are still human, although mentally in some kind of sleep like state, and the aliens have a very real kind of mental connectedness to one another. As one of them says towards the end describing his own existence,
"I am still Ben, but I am also so much more. I am connected to everyone else. There is no more "other."
What gave depth to this otherwise great zombie/sci-fi thriller flick was the commentary on human nature and it's relationship to theodicy (the problem of evil). As we begin to see in the film, rather than the infection causing worldwide chaos and war to break out it actually leads to worldwide peace. At one point we see George W. Bush and Hugo Chávez shaking hands as they sign a treaty together. However, the cost of this kind of peace and eradication of poverty is something like joining the Borg. The cost of being truly human - the presence of evil in the world. A doctor at the end of the film is asked if the infection was eradicated and he replies with the last lines of the film,
"Just take a look at a newspaper. For better or worse, we're human again."
This understanding of human nature, that evil is essential to our nature, is common in our culture. We often hear the phrase "I'm only human," used to justify terrible wrongs we commit against one another. But what does our understanding of Christ's incarnation tell us about human nature? It seems as though in Christ we can begin to understand that our bent towards evil is less-than human, it is indeed a betrayal of our humanity, and the way in which Jesus lived is what it looks like to be truly human.

So I'll end with some questions for us to discuss. How might that understanding (re)narrate the underlying assumptions of the Invasion? How does this understanding still resist the automaton alternative of a complete loss of individuality as the way towards living in peace?

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Wednesday, July 25, 2007

Simpsonized!


Kara and I can't wait to see the Simpson's movie!

That's all.

ps-for your own Simpson's avatar check out simpsonsmovie.com

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Thursday, July 12, 2007

SiCKO


Rusty was out visiting the other day and we caught a matinée of Michael Moore's new film, SiCKO. While it has become popular to criticize Moore for his bias and question the facts in his films I think, as usual, we need to take seriously the argument he makes rather than get hung up on the critiques from conservatives on his editing technique. And just to be precise, Michael Moore did not edit this film, like most films there is an editor who is assigned this task. While some are already questioning a fact here or a fact there, Moore has said repeatedly that everything in the film was based on solid research. That being said, it wouldn't be hard to find other research which contradicts his own. This does not mean he lied, this means you are consulting differing sources. Moving on.

Moore's argument isn't a surprising one. The American health care system is set up to put profit above caring for all. This means that many people just plain get screwed by the system because unlike other public institutions (Fire Dept, Library, Police, etc.) the health insurance companies' number one priority is profit. A corporation seeking profit before the good of all people no doubt cuts corners in order to maximize profit. Rather than understanding paying for someone's medical needs as the goal of business, insurance companies understand this as a "loss" and seek to minimize losses. So that's a small summary of how our system is rigged to benefit the shareholder above the insured client.

The second part of Moore's argument is that all the fear-mongering about how the rest of the western world does medicine is just plain unfounded. So we visit Canada, the UK, France and even Cuba to see what publicly held health care looks like. Conservative politicians have familiar talking points when it comes to public (or socialized) health care. They say that we won't have any good doctors left (assumption: medical professionals are all incredibly greedy people and if the government pays less doctors will quit). They say that wait times will increase (assumption: if everyone has access to health care, then when I have a heart attack I'll be told to come back in two months), but Moore's trips are full of people who are incredibly happy with the speed at which they're seen by a doctor and emergencies are treated as such. They say that the government can't handle the health care system (assumption: only corporations can be trusted to oversee such a large and complicated system), but when corporations are in charge it is profit rather than care which is the primary goal, this is fundamentally mismanagement.

I think this is Moore's best film to date and his argument is a good one. Savage Capitalism is doing to the health care system what Enron did to power in the west. Like the library or the fire department the health care system must be held by the public, not privately held by corporations.

Check out biblical scholar, Ben Witherington's take on the film here.

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Monday, July 09, 2007

Evan Almighty



Kara and I walked down the street to the theater last night to see Evan Almighty the sequel to Bruce Almighty starring Steve Carell. Okay, so being a Christian makes watching "God movies" a complicated experience. On the one hand there is this instinct to hold the film at arm's length and critique every frame that doesn't match up with my own theology. Being a seminary grad makes this all the more appealing. Then there's this other side of me that really wants to see something good, something of real value in a film like this. So I've usually come to movies with the bar set very very low for theological orthodoxy. Doing so means that I've been surprised a time or two by how many things a "God film" got right. Case in point, Bruce Almighty's theme of God's non-coercive love for us.

So before I get into what I thought Evan Almighty did right I'll just lay out a few of my beefs lest anyone think I'm an uneducated heretic. Okay, God in Evan is only vaguely the Trinitarian God of Jesus. God here is pictured as more or less the kind of nice dude we Americans tend to think of... kinda (I'll take issue with this later). God's "mission" for humanity is incredibly easy for Americans to swallow: ARK (Acts of Random Kindness). Loving one's enemies and sacrificing creature comforts to be better stewards of creation are hardly "random" acts of "kindness" but are disciplines lived out in community. But you know what, Stanley Hauerwas didn't write the screenplay for Evan Almighty so I approached it like he didn't.

Whew. Now that I've sufficiently "distanced" myself from the theology of the film and hopefully convinced you that I am not dropping out of Orthodox Christianity and enlisting in Evan-anity let me tell you what I think this film got right. By the way, thanks to Scott for writing a similar post.

1. God loves his creation. Creation meaning ALL of creation, not just us humans. God is concerned with the lack of stewardship of plants and animals at the expense of human consumption.

2. God is funny. God is a God of laughter.

3. God is amused by what we seem to think are really important "plans" we have for this life. God is more concerned with our obedience to his will and joining in the Missio Dei (Mission of God) than with our image, our job, etc. God is content that we makes ourselves foolish by joining his mission. For more on this check out Scot McKnight's post about Missional Jesus.

4. God loves everybody and is about the business of redeeming relationships, corrupt political systems, and even urban sprawl. God acts to redeem.

5. God interprets the scriptures. God actually reads Genesis allegorically rather than scientifically.

6. God does not "zap us with fuzzy feelings" but gives us opportunity to practice love/patience/etc.

7. God is the main actor in the events that transpire but does so through people (like Evan) who forsake themselves to follow God's lead. God works through broken, fallen people.

8. God smiles when fathers put their family before their careers.

Those are just a few of the surprising theological themes in Evan Almighty that I thought were profoundly true. So go check it out. Realize that there are going to be some shallow or cheesy moments that don't live up to our theology and that the Missio Dei can't be summed up by "Acts of Random Kindness." But go with an open mind, this film might just surprise you with how much it does get right.

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Sunday, May 27, 2007

PotC: At Worlds End



As someone recently remarked, it might just be destiny that I was born on May 25th since it is traditionally one of the biggest weekends for movies. Star Wars, Spider-Man and this year Pirates of the Caribbean: At World's End have all been released on May 25th. It's a good time to be me. Kara rounded up 15 of my closest friends in KC and some of us even dressed up as Pirates in celebration of my birthday. After some gluttonous California burritos we trekked on over to Kansas City's coolest theatre, the Screenland Grenada (of which I am an alumni). It was a great day and in my estimation a great summer blockbuster of a movie. It's long 2hrs 40minutes... so that made me happy. And it looks as if they've even left it open to do a fourth film if they so choose. Good times. There's even a Keith Richards cameo as Jack's dad. He looks the classic Pirate part a la Dustin Hoffman in Hook.

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28 Weeks Later



Kara, being the trooper she is, endured her fifth zombie movie at my hands last week.(1) We went to go see 28 Weeks Later, the sequel to what I think is one of the best zombie movies ever made-28 Days Later. In the original film the "rage virus" is contracted by animal rights activists who break into an animal testing facility to "free the monkeys," but end up getting their deadly disease instead. We meet Jim, a young man who wakes up in a hospital all alone only to find out that London is a deserted wasteland. The rest is the story of Jim and a few other survivors in London and their attempt to find rescue and escape the zombies. 28 Days Later broke a few zombie-movie formulas and the result was a true horror movie rather than a campy fun zombie flick. The "infected" in 28 Days Later had a virus that turned them into wild violent creatures not the drowsy stumbling walking dead in most films. These zombies sprint! In the end it was other human beings that may have posed the gravest threat in 28 Days Later, the same can be said for 28 Weeks Later.

In the sequel we return to London, long since quarantined. NATO has taken the lead in the "reconstruction" effort after all human/zombie life on the British Isle had been killed or starved to death. We begin the film sometime around when we left the first one, but now with a different set of people. What follows is one of the best zombie-chase-scenes ever (few, though they may be). Without going into too much detail and ruining the movie for you, I'll say that the "originality" of 28 Days Later doesn't live on in 28 Weeks Later. Not very much new ground is broken in this sequel but it still is among the top zombie flicks I've seen. The social commentary is thick and fans of Romero's critique of materialistic mall culture in Dawn of the Dead will appreciate the questions about military occupation, blindly following orders and the wisdom of giving people filled with fear guns and unilateral power. Much like the first, this installment pits both zombie and humans against our band of protagonists and it is often the humans who seem to be the greater threat.

(1) 1. Evil Dead 2. Evil Dead 2 3. Dead Alive 4. 28 Days Later 5. 28 Weeks Later

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Thursday, May 24, 2007

Hot Fuzz



After Shaun of the Dead there was no way I was going to miss the next parodyriffic film from Edgar Wright and Simon Pegg. Hot Fuzz lampoons buddy cop movies like Bad Boys II and Point Break, well not movies like those, but those exact movies. Danny, the sidekick, actually references how awesome these two movies in particular are over and over again. It's a hilarious jab at the all too formulaic buddy cop genre, but like Shaun of the Dead, respects the genre enough to actually pull off being a decent buddy cop action flick.

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Thursday, May 10, 2007

Spider-Man 3



I saw Spider-Man 3 this past weekend with Kara and despite all the nay-sayers I loved it. Well maybe I'd like to watch it again without being surrounded by movie talkers. I am an avid "non-movie-talker" and we were surrounded by moviegoers who did not share my convictions. No matter though, this was a fun summer blockbuster. I grew up reading Spider-Man and this chapter was just another example of those comic book stories coming to life. Sure Venom wasn't the HUGE bulking dude he was in the comics. But then again the films seem to take the story one tiny step back towards realism and Topher Grace was a good choice for the journalist with a victim-complex, Eddie Brock.

Of the many criticisms I've heard of the film a few stand out as odd to me. 1) It was too long. I disagree, I couldn't get enough and wished they would have spent even more time with Venom. Folks, good movies are never long enough. 2) It was cheesy. HELLOOO! It's a comic book movie, directed by Sam Rami (Evil Dead). It's cheesy on purpose! Don't be surprised when Peter Parker's "dark side" is still a bit nerdy. But alas, some people just love to hate. I thought it was funnier and more reflective than the previous two installments. Although I'm enjoying it for what it was, a fun spider-man movie, not a hip metaphor for Christian forgiveness. If you want to watch a film about how revenge will consume you and forgiveness is freedom check out the Count of Monte Cristo. There's no need to turn spider-man 3 into a sermon to get something from it. Sometimes movies are just plain fun!

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Wednesday, March 28, 2007

Mr. Deity and the Book

If you haven't been watching the Mr. Deity shorts on You Tube... you're missing out. See them all here.

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Tuesday, March 27, 2007

300


Having heard some high praise for the recent Frank Miller adaptation, 300, I trekked off to the theatre a few weekends ago to catch it myself. What followed was an interesting mix of emotions for me. I am usually easily able to suspend disbelief and enter into the world of a film, and it is indeed almost always my goal to do so when watching a film. But some films make that really really hard to do. Or maybe to put it more accurately; sometimes John Howard Yoder and Stanley Hauerwas make that really hard to do.

300 lacks nothing in stylistic cinematography or art direction. Every single frame lives in a creative land somewhere between Miller's original comic book and modern day Photoshop art. The texture and style of the film exude a larger-than-life mythical quality that enhance the tale of 300 Spartans fighting off Xerxes' vast armies. It is a story that can only be told in paintings and campfire tales, and in that regard 300 does exceedingly well.

Some have called 300 one-part Art Film one-part Action-Adventure war movie. I would agree, and the first part is done masterfully. But it's that nagging issue of content that kept irking me about the second part of 300. While I was continually drawn into this Spartan world by the artistic beauty I was constantly ejected from it as I heard Yoder, Hauerwas and especially Jesus ringing in my ears.

The overtones of what Walter Wink calls "redemptive violence" are nowhere more pronounced than in 300. The Spartan culture while shown as a somewhat barbaric solider society is nonetheless glorified in perhaps every barbaric trait other than their systematic killing of "less than ideal" babies. While this is shown in a horrific light, the rest of their violent ways are glorified as essential parts of a "rational" and "democratic" society. The overtones connecting American culture and military (especially American Marines) to the Spartan warriors are obvious. King Leonidas' wife, Gorgo lectures the politicians about the necessity for violence using today's popular phrase "freedom isn't free." All these themes kept me from truly entering the movie. Instead I held it at arms length, thinking to myself, this is exactly what Jesus subverts in the Roman empire. This society built on violence, the culture that disciples its people in warfare no matter the personal cost to children and wives. The Roman empire Jesus lived under and was crucified by was heavily influenced by the Spartan legends and ethos. This is the same warrior-culture that the Gospel has a harsh judgment for, and while we have tended to privatize our war-making, we Americans buy into many of the same illusions that the Spartans did.

I kept trying to see where Christians would fit into this whole story (had they been around back then). I think that the Jesus people wouldn't be caught dead on the side of Xerxes, the Persian emperor who called himself a God. The followers of Jesus wouldn't march with the Persian army in it's goal to conquer the world. But neither would the Jesus people devote their lives to being discipled as killing machines in the city of Sparta. The Spartan story of redemptive violence would be in direct conflict with the followers of Jesus who practiced redemptive suffering.

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Sunday, March 25, 2007

Black Snake Moan


Purg and I caught Black Snake Moan a few weekends ago. This is the story of Lazarus (a man who's wife has left him for his younger brother), Rae (a young girl who was abused as a child and now is literally an nymphomaniac) and ??? (Rae's boyfriend who is eventually kicked out of boot camp for an anxiety disorder). If you haven't seen the poster or TV spots, then you don't know about one of the most interesting oddities of this film. Lazarus takes it upon himself to redeem Rae from her wicked and sad state, but his methods are not taken from any pastoral care and counseling class. No, Lazarus chains Rae to his radiator to keep her from running off on him and avoiding the "desert" she must travel in order to be transformed.

I really appreciated that Black Snake didn't fall into a number of tired cliches about judgmental clergy or protagonist-redeemers who are misunderstood. Ben Witherington gives us some very good thoughts on the film here.

Just a word of warning, the film is pretty raw and gritty and earns it's R rating. I wouldn't recommend it to anyone in high school or younger.

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Monday, March 19, 2007

Bridge to Terabithia


Kara and I saw Bridge to Terabitha a few weekends ago, thanks to Mike's recommendation. What a surprisingly wonderful film! If your kids aren't old enough to sit through Pan's Labyrinth, Terabithia may well be a great alternative. I was particularly drawn into the story of a young boy named Jesse who lives in the country and have a love for drawing. Reminds me of someone I know...

Jesse deals with what most kids do, bullies and the like. But this school year Jesse meets an interesting new girl named Leslie who just happens to live next door to him. Leslie is a poet. Together the artist and the poet learn to use their imaginations to build a whole new kingdom in the forest where bullies can be bested in battle. The imaginary kingdom of Terabitha begins to inform the real life world at school that Jesse and Leslie encounter everyday. They are able to draw on their imaginations to change things at school in some really redemptive ways.

One day Leslie invites herself to Church with Jesse's family and during the service she is enthralled by the stories and the stained glass. In the truckride home she says "that whole Jesus thing is very interesting isn't it?" The conversation that ensues between Leslie, Jesse and his younger sister May Belle is priceless. Leslie says these insightful words after May Belle and Jesse proclaim that you have to go to church and believe the bible or you'll burn in hell... "You have to believe it and you hate it. I don't have to believe it and I think its beautiful."

Amen.

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Sunday, February 25, 2007

79th Acadamy Awards


So the Oscars are about to begin and I'm going to post who I'm rooting for in each category. Later I'll put in bold those whom I rooted for that actually took home an oscar!

Actor in a Leading Role
Forest Whitaker
The Last King Of Scotland


Actor in a Supporting Role
Djimon Hounsou
Blood Diamond


Actress in a Leading Role
I am lame and have not seen any of the nominated films!

Actress in a Supporting Role
Adriana Barraza
Babel


Animated Feature Film
I've only seen Monster House, which I really liked but can't say I'm rooting for it over the others.

Art Direction
Eugenio Caballero (Art Direction); Pilar Revuelta (Set Decoration)
Pan's Labyrinth

Cinematography
Emmanuel Lubezki
Children Of Men

Costume Design
Again... I'm lame.

Directing
Martin Scorsese
The Departed

Documentary Feature
An Inconvenient Truth

Documentary Short
I'm super lame.

Film Editing
Stephen Mirrione and Douglas Crise
Babel

Foriegn Language Film
Pan's Labyrinth

Makeup
David Martí and Montse Ribé
Pan's Labyrinth

Music (Score)
Javier Navarrete
Pan's Labyrinth

Music (Song)
"I Need to Wake Up" Music and Lyric by Melissa Etheridge
An Inconvieniet Truth

Best Picture
Letters From Iwo Jima

Short Film (Animated)
I'm super-duper lame.

Short Film (Live Action)
Super super super lame.

Sound Editing
Christopher Boyes and George Watters II
Pirates of the Caribbean: Dead Man's Chest

Sound Mixing
Paul Massey, Christopher Boyes and Lee Orloff
Pirates of the Caribbean: Dead Man's Chest

Visual Effects
John Knoll, Hal Hickel, Charles Gibson and Allen Hall
Pirates of the Caribbean: Dead Man's Chest

Writing (Adapted Screenplay)
John Knoll, Hal Hickel, Charles Gibson and Allen Hall
Children of Men

Writing (Original Screenplay)
Guillermo Arriaga
Babel

So 7 of the 18 I was hoping for hit Oscar gold!

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Friday, February 23, 2007

Letters From Iwo Jima


Last weekend I convinced some friends to join me watching Clint Eastwood's latest film, Letters from Iwo Jima. Letters is a companion film to Eastwood's earlier film from this year, Flags of Our Fathers, which I've yet to see. Each film takes a look at the same battle over the Japanese island of Iwo Jima from a different side, Flags from the American perspective and Letters from the Japanese.

Letters may indeed be a compelling war movie, a Japanese tear-jerker in the genre of Saving Private Ryan but I think most would agree that this film has a much more profound message. What Letters does such an excellent job of doing is showing just how much we Americans have in common with the Japanese soldiers on Iwo Jima. Their fears and dreams are the same as ours, their pride is as honorable and as blinding as our own. Letters gives almost no real face time to any Americans in the film with the exception of one kid from Oklahoma who is captured by the Japanese. We completely empathize with the Japanese. We root for them, even against our "own" army. In Letters the Americans are a scary invading force and its the Japanese who's story we've entered into. A few characters in the film are also able to enter into the stories of their enemies and it gives them profound compassion in the midst of blind hatred and violence. The three Japanese soldiers and one American soldier who step out of their own national story which narrates the enemy as nothing more than a savage, subhuman creature to be destroyed are able to see that their enemies are indeed their brothers. It is this connection that paints the entire film and its violence as foolish, ignorant and unnecessary.

Having seen all the other best picture noms (with the exception of The Queen) I don't see any way this film doesn't grab picture of the year... unless Scorsese gets the nod as a recognition of his life's work. But put Departed up against Letters and I think Letters is hands down a better film.

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Sunday, February 11, 2007

The Departed


Oddly enough there were large portions of this movie that reminded me of The Last King of Scotland. DiCaprio plays a cop who goes undercover and gets deep into the mafia while Damon plays the opposite, a made man who has infiltrated the Boston police. It is DiCaprio's character, Billy Costigan and his relationship with Frank Costello played by Jack Nicholson that reminded me so much of Last King. Being in a very close relationship with an unstable, diabolical and powerful man but pretending the entire time, hoping not to be found out. The stress is intense. Unlike Last King, The Departed makes no attempt whatsoever at giving you a redemptive resolution. In this world of crooked cops and mafia bosses murder and betrayal is on par for the course and a happy resolution to this film would have seemed out of place, even though we long for it the whole time.

As a side note, Mark Wahlberg has been nominated for an Oscar for best supporting actor... not to take anything away from Wahlberg or his performance, I am afterall becoming a bigger fan of his work every year... but seriously? His role in the Departed is so small, I think he's on screen for 10 minutes max and we don't get much from him other than a smart-ass angry cop, its not really a breakthrough performance or something we haven't seen from him already. Okay... I've just seen way better work from Wahlberg, what about DiCaprio for his portryal of Costigan (or would he be the main actor?)? Anyway that just caught me a bit off guard.

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Saturday, February 10, 2007

Last King of Scotland


Last night I went to a movie alone, as has become my habit of late, and one that I don't really mind. Going alone often allows for much more reflection and immersion in a film. Needless to say though, I will be glad to go to movies with Kara again! The movie I went to see was The Last King of Scotland in which Forrest Whitaker plays the terrifying and somewhat charming Idi Amin, the brutal president of Uganda during most of the 1970's. While Amin is the gravity of the film, all plots and figures being drawn into his world, we observe him mainly through the life of a young Scottish doctor named Nicholas Garrigan. The young Scotsman is as charming as Amin himself and they quickly become friends.

When Garrigan is drawn into Amin's world however, he looses sight of the real Uganda. It isn't until its almost too late that Garrigan realizes what and who Amin really is. What ensues is a terrifying and claustrophobic tale of Garrigan trying to stay alive by appeasing Amin and simultaneously trying to get the heck out of Uganda. Scary. And more scary than your average horror movie because of the reality of it all. This horror tale doesn't have radio-active desert zombies bent on killing, it's about the insane insecurity of a man with a lot of power.

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Friday, February 09, 2007

Pan's Labyrinth


I've been meaning to blog about Pan's Labyrinth for a while now. I first saw it back in January when Kara was in town. I was expecting it to be great, I'd heard so much good stuff about it before going, and I wasn't disappointed. Pan's Labyrinth was everything that The Lion, the Witch and the Wardrobe wasn't... frighteningly dark, sinister, subtler in its allegory and definitely not for kids. Pan's Labyrinth is brutally violent early on in order to convince us of the ruthlessness of the antagonist. Later in the film more scenes could have shown even more violence but mercifully don't.

For those of you who were confused like me, Pan is the name of a Faun. Not this particular faun, but a faun. In Spain where the film was made it was named Faun's Labyrinth. Okay, now that aside... Pan's Labyrinth begins with an "incarnation" of sorts. The king of the underworld's daughter escapes to go live among us land-dwelling people, but as a consequence she dies a mortal's death like us. But the King waits for her soul to return one day in another body. The rest of the story takes place in WWII Spain where fascists are fighting off guerrillas in the forest. Ofelia, a young girl is the stepdaughter of a fascist general (Yet another movie about children living in a broken world). She encounters a faun at the bottom of a spiral staircase in the center of a giant labyrinth behind the fascist stronghold.

[spoiler alert: seriously if you haven't seen it yet, don't read this until after you have]

The faun gives Ofelia several tasks to complete before the moon is full. The first, Rusty pointed out (perhaps soon in blog form), could be an allegory of capitalism. The second is retrieving something from behind a tiny door with a key from her first mission. She retrieves a knife from the door and gets into some trouble on the way back. The last mission requires that she get her newborn baby brother and meet the faun at the labyrinth. When shes does so he tells her that the knife is to draw blood from her brother. Well if the faun wasn't sketchy enough the entire film now it's obvious... he, like almost everyone else in Ofelia's life is rotten. She refuses and just as she does her fascist stepfather stumbles upon her, snatches his son back and promptly kills Ofelia. She lies at the mouth of the staircase in the center of the labyrinth, blood running out of her nose. This is the scene that opened the film. Just as it seems like this movie is going to end one long train wreck of violence and cruelty Ofelia opens her eyes in paradise. Her father, the king of the underworld welcomes her home and the faun tells her that she passed the final test. She chose to shed her own blood rather than that of an innocent.

Obvious Christ-figure metaphor aside, what I find even more fascinating is Ofelia's resurrection and how it completely (re)narrates the tone of the film. What was once macabre is now a celebration. What was once a tragedy is now a comedy (in the Greek sense). Her resurrection bears witness to a deeper reality. Her fascist stepfather has no real power, his violence is in vain a mere illusion of power.

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Friday, January 26, 2007

Chad Vader


I found this gem on YouTube a while back. Chad Vader: Day Shift Manager. Haven't you always wondered what if Darth Vader was the shift manager at a grocery store? I know I have! And now we can all see.
For the other episodes...

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DVDpedia


If you're like me and have a large DVD library from which friends are always borrowing movies and you use a Macintosh, then you might want to check out DVDpedia. I found this little gem a few weeks ago and I absolutely love it. The initial setup was great, it was able to use my iSight camera to scan the bar code on my movies and add them to my library. It will keep track of the movies friends have borrowed and even lets you send them an email reminder to return them. For more info check out their site http://www.bruji.com/dvdpedia or browse my own collection by clicking on the blue DVDs button in the sidebar (DVDpedia will export your library to HTML).

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Thursday, January 11, 2007

The Passion of Joan of Arc (1928)


Tonight was the first night of my Film Theory class and after watching some of the earliest films ever made along with 1902's A Trip to the Moon by Georges Méliès we watched The Passion of Joan of Arc filmed in 1928.

Wow.

Seriously. If you agreed with me that Seven Samurari was ahead of it's time just get your hands on a copy of The Passion of Joan of Arc! The story of how we even have the film is interesting in itself. The film was originally censored and much of it was destroyed in a fire, bits of it surviving via the scrap clips that could be found, and then in 1981 the entire film was found in a janitor's closet in an insane asylum in Oslo! The film itself is incredibly striking, like Seven Samurai it feels right at home in 2007. Director Carl Theodor Dreyer used a TON of close ups and in so doing captures up-close and personal some great performances. The use of camera angles is dramatic and serves the story well. Joan is almost always shown from above with soft lighting. Her monastic acusers are shot from below, towering above her. Hard lighting is used on the old monks and every wrinkle, every skin pore sticks out in these extreme close ups. In the midst of the acusatory rants thrown at Joan are cut extreme close-ups on angry, shouting mouths. The cinematography in this film is nothing short of beautiful. It is art! I have so much to learn from this film, I can't wait to watch it again.

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Tuesday, January 09, 2007

Babel


With all the Oscar buzz this time of the year I had to get in some films that I had the audacity to miss earlier in the year, first on the list was Babel (no. 2 is The Departed). Directed by Alejandro González Iñárritu (21 Grams) this film like Children of Men is also about children in an around about way. It's title however seems to be an even more dominant theme, miscommunication. This movie is plagued with miscommunication starting with an American man's attempt to get his wife to a hospital after she has been shot in Morocco, to a deaf-mute Japanese girl's failed attempts at teenage flirtation and finally between a Mexican nanny of two American children, her unstable nephew and an American border patrol agent. Caught in between all this miscommunication are children in a broken world. Two poor Moroccan goat-herding boys, the previously mentioned deaf-mute Japanese girl who's mother has recently died and two very young American children raised by their Nanny who have an unintended adventure in the desert of Southern California near the Mexican border. If Children of Men gave us a vision of a world without children, Babel gives us a vision what some of the world's children are going through today.

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Monday, January 08, 2007

Seven Samurai (1954)


I've had Seven Samurai sitting around for a few months now and I finally put it in and watched it all the way through. I had previously made the mistake of trying to put it in at 1am (twice), not knowing how long the film was (3 hours and 20 minutes) I fell asleep both times. But this weekend I sat down much earlier with the intent of watching Akira Kurosawa's film all the way through.

Finally. An old classic which is thrown around in the whole "greatest films ever" conversations that wasn't disapointing! Maybe it wasn't disapointing because so much of modern cinema draws on this film. Other than the obvious western adaptation/translation The Magnificent Seven we see Kurosawa's plot of gathering a rag-tag group of heroes to acomplish something or defeat an enemy everywhere today. Armageddon, Saving Private Ryan, Ocean's Eleven, Star Wars, The Matrix, Independance Day even Tolkien's Fellowship of the Ring of the same year (1954) follows a similar storyline of gathering heroes for a task. Kurosawa also pioneered the use of slow motion in action sequences.

This film was done so well I kept thinking to myself he did that in 1954!? The Samurai have to defend a small village against a large group of bandits and during a long sequence in the film we get the foundation for every "defend the fort" movie I've ever seen (13th Warrior, Kingdom of Heaven, The Alamo, Last of the Mohicans, etc.). At times I felt like you do when you hear the original song after having only heard the Weird Al version, thinking to yourself "that's where that comes from."

Altogether a great movie, with an excellent and foundational story we use often today and wonderful cinematography. I can't wait to see Kurosawa's 1950's classic Rashomon next.

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Sunday, January 07, 2007

Children of Men


I went to see Alfonso Cuarón's film, Children of Men this past Saturday. What a surprise! I had heard some vague things about this film several months ago but I had mostly forgotten about it until I was taking a study break and decided to go see a movie. I went into the theatre with few expectations but was pleasantly surprised by this film.

With the season of Advent still fresh in my mind this film drew many parallels to the story of Christ's unlikely birth for me. The fate of the world is embodied in a small helpless child born of the unlikliest single mother. Beyond the advent parallels I found interesting I thought the film was a serious look at a world without children, a haunting vision indeed. I was so drawn into this story and the fate of this child that I was shocked by the abrupt end which leaves "the rest of the story" unanswered. I suppose it was a fitting ending, but I was so wraped up in the story itself I was sad to see the story actually come to an end. If there's a sequel, I'll be one of the first ones in line. Either way this was a great film and stands on it's own as a great story.

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Saturday, December 30, 2006

Best of 2006


We’ve got a little less than one day left in 2006, so I think it’s safe for me to finally post my second annual “best of” lists for 2006. Man-O-Man I hope a bunch of great films and albums don’t come out in the next 18 hours and make me look like a fool. Feel free to argue the insanity of my picks and link to your own “best of” lists. Remember today and tomorrow are the two days when “thou SHALL judge” the previous year anyway.

Albums
5. Tool - 10,000 Days
4. AFI - DECEMBERUNDERGROUND
3. In Reverent Fear - Stomacher
2. Muse - Black Holes and Revelations
*1. Derek Webb - Mockingbird
*This album is FREE (just click the link)

Films
6. Why We Fight
5. Taladagea Nights: The Ballad of Ricky Bobby
4. Inconvienient Truth
3. Lady in the Water
2. Blood Diamond
1. Little Miss Sunshine

TV Shows
5. My Name is Earl
4. The Daily Show with Jon Stewart
3. The Colbert Report
2. LOST
1. The Office

Books
5. The Secret Message of Jesus:
Uncovering the Truth that Could Change Everything
by Brian McLaren

4. The Irresistible Revolution:
Living as an Ordinary Radical
by Shane Claiborne

3. The Myth of a Christian Nation:
How the Quest for Political Power Is Destroying the Church
by Gregory Boyd

2. Presence-centered Youth Ministry:
Guiding Students into Spiritual Formation
by Mike King

1. The Hidden Power of Electronic Culture:
How Media Shapes Faith, the Gospel, and Church
by Shane Hipps


Posts on chuckp3.com
5. July 4: Civil Religion’s Easter (10)
4. Dead Man’s Chest (11)
3. Kara and I are Engaged (17)
2. Radical [financial] Trust and Obedience (19)
1. Faith in the Military (46)

Gadgets
5. EyeTV Hybrid
4. Google Analytics
3. Library Thing
2. Harmony Remote
1. YouTube

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Wednesday, December 13, 2006

Why I Didn't Buy a Diamond.

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        After reading two disturbing articles today in reaction to Blood Diamond I’ve decided to elaborate a bit on my own knowledge of blood diamonds as well as tell my own story and why I refuse to buy diamonds. But first the articles. Lisa Schwarzbaum of Entertainment Weekly wrote a review of Blood Diamond whose main point of contention was that the film was a “term paper disguised as entertainment.” I know she works at Entertainment Weekly, but COME ON! I for one appreciate it when the films I go to see have a point, or speak to a larger issue in our world, or move me to change the way I live. If all we want out of movies is entertainment then we’re living in a self-imprisoned tyranny of shallow consumerism. And it’s those people that need to see movies like Blood Diamond the most!

        Article two is from Parija B. Kavilanz of CNN Money.com. Parija points out that jewelers are sweating Blood Diamond because it’s the holiday season and this is when they do most of their business. The movie is “a concern” for Diamond cartels like DeBeers, etc. What makes me sick about this is it’s the movie that is the concern, not the conflict diamonds! If DeBeers had even a shred of integrity they would be pushing hard for strengthening the Kimberly process, or sending some of their billions to victims of DeBeers business partners. That and not this movie, should be thier PR concern.

        Okay, so here the story of why I didn’t buy a diamond.

        Reason One: Violence
My sophomore year of college a girl name Jenn Tracy sent out an email to a list I was on about blood diamonds. I was listening. I quickly found out that people in Sierra Leone were being mutilated by soldiers from a militia called the Revolutionary United Front (RUF). These militant revolutionaries were waging a war against the government of Sierra Leone as well as the civilians. They funded their violence by capturing diamond mines and enslaving locals to work in them. As a way of instilling fear in the slaves the RUF would randomly amputate the limbs of the people they captured, leaving behind tens of thousands of amputees. De Beers among other companies knew that this was happening and didn’t do anything to stop it. (Guardian Article)

        Reason Two: The Deceptive and Manipulative Diamond Business
The diamond business itself became increasingly sickening to me as I began to study it more and more. Diamonds as jewelry and as an engagement ring is a relatively new thing. Diamonds are useful for ONE thing, as blades in industrial machines. In the late 1800’s when the first diamond “mines” were discovered in Africa the diamond a once rare stone was now about to boom, and diamond business was in big trouble. Prices of diamonds used as blades would drop and diamonds used as jewelry depended on the notion that they are rare (and since the 1900’s they’ve been anything but). Enter DeBeers. They invented the myth that diamonds symbolize love and launched a huge advertising blitz to move these diamonds they were raking in. A little less than a century later and Americans have bought the myth that diamonds are forever, are rare, symbolize love, are expensive, and that every engaged woman is entitled to such a stone.

It is the diamond business itself that sickens me to the point of never wanting to buy a diamond even if it was proved the diamond was clean. Even after assuring me that a child had not lost a limb for the diamond I’m looking at there would still be the incredibly evil system of the diamond industry itself that has relentlessly deceived and manipulated its customers.
(The full text of Jay Epstein’s book The Diamond Invention is avaliable online)

So when I asked Kara to marry me, I was ready with an Emerald.


More resources...

Also check out this interview with screenplay writer Charles Leavitt.

Amnesty International - Did Someone Die for That Diamond?

Amnesty International - Conflict Diamond

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Sunday, December 10, 2006

Blood Diamond

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I went and saw Blood Diamond last night and 24 hours later it’s still all I can think about. Blood Diamond tackles a slew of issues facing Africa such as hyper-violent rebel militia groups (like the RUF or LRA), the first world’s insatiable greed over Africa’s resources, blood diamonds, the diamond industry itself (De Beers, etc.), child soldiers, the rampant small-arms trade (for more see Lord of War) and STILL manages to tell an incredibly compelling story of redemption in the midst of such tragedy. And good stories are more compelling than documentaries.

There have been a number of good films recently bringing to light the suffering in Africa; Hotel Rwanda, Lord of War, Constant Gardener, Invisible Children, Tsotsi and now Blood Diamond. I hope and pray that films like these help us to act in response to what’s happening NOW in Africa. Janjaweed are still committing genocide against black Africans in the Darfur region of Sudan. Just to the south the LRA is still capturing children and forcing them to fight in their resistance to the Ugandan government. Let’s hope that Christians start imagining what a redemptive response to these situations could be. Some people are already thinking... check out InvisibleChildren.com

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Tuesday, October 03, 2006

Will Ferrell and Baby Jesus

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        Wil Ryland has a great post about Ricky Bobby’s American Jesus here. Go thou and read.

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Wednesday, July 05, 2006

Dead Man's Chest

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I recently got a job working at Screenland’s new location. Screenland is a local Kansas City art-house theater, and they’ve just opened up a newly remodeled theater build back in the 20’s. We’re opening the theater with the new Pirates of the Caribbean film. I hope you’re as excited about the new Pirate adventure as I am. One of the benefits of working at a theater is watching the film for free before its released. YAARRRRRR!

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Tuesday, July 04, 2006

An Inconvenient Truth

IT.jpgI saw Al Gore’s documentary, An Inconvenient Truth, a little over a week ago and it’s still having quite an impact on me. Perhaps one of the dusty closets from my high-school days of ultra-conservativism which I never got around to cleaning out was the issue of Global Warming. When I was a kid it was drilled into my head by such reputable scientists as Rush Limbaugh that Global Warming was a conspiracy theory cooked up by “liberals.” Back then anything attached to the word “liberal” automatically meant evil, wrong, deceitful, etc. so there was no need to actually look at science when something had been thusly labeled. Please don’t make that mistake. Many people will write off what Al Gore has to say, simply because he’s Al Gore, please don’t make that mistake. This film was so eye-opening, and in some ways terrifying, we can’t afford to not here what he has to say because of a political bias. I’m not familiar with www.humaneventsonline.com but noticing the oodles of Ann Coulter ads, something tells me that I would find myself constantly at odds with their journalism. Not so with this article. This conservative Christian from Human Events Online tells us we need to pause and listen to what Gore is telling us, no matter what our political leanings are.

If you want a tiny bit of what the film is about, check out the site www.climatecrisis.net. But for the full effect see the movie or get the book! If we don’t do something about the way we as Americans live our world could look very different in 70 years. The effects of this will be so much more drastic and tragic (and already have been) than Terrorism, but unlike terrorism this danger happens somewhat gradually (although it may begin to speed up quite a bit). Let’s not make the mistake of the frog in the pot of boiling water.

Right now there are 12 states taking the EPA (Environmental Protection Agency) to the Supreme Court in order to force the EPA to regulate CO2 emissions from automobiles. Right now CO2 from cars isn’t considered “pollution.” But regulating these emissions and finally raising fuel-efficency in the US would have huge positive consequences in the fight against Global Warming.

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Saturday, May 27, 2006

Saturday Movie Post Returns


It's been a long time since I've made a Saturday Movie Post, but today was a good day to resurrect it.

Cool Hand Luke
Craig Keen has talked about this movie almost everytime I've been around him, so I had to check it out. I actually got together with Craig and some others from our Ethics class to watch this 1967 classic. This movie packs a profound Christological message and is full of Christ-imagery... although in the least expected places (and isn't that always the case). Besides some of the allegory (which is flexible but seems intentional), it's just a great movie. If you liked The Shawshank Redemption, you'll love Cool Hand Luke.


X-Men III: The Last Stand
I thought X-Men was great, I thought X2 was one of the rare sequels that topped its first film. X-Men III: The Last Stand was good. I felt like they rushed the "last" chapter of the X-Men story and killed off too many characters for one movie. It just seemed a bit dissapointing for them to call it quits so soon and to do it in such a harried manner...

...then the credits roll...

...then there is a 3 second scene that changes my whole perception of this movie. From good to really good. From least favorite X-Men movie to close second to X2.

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Wednesday, May 10, 2006

An Inconvenient Truth


I saw this over at David's blog... looks like it should be intense, hopefully lots of people will see it!
An Inconvenient Truth

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Sunday, April 09, 2006

Smoking

In the midst of the academic crunch I took some time to go see Thank You For Smoking with Jeff and Kara last night. A dark and cynical comedy about a tobacco lobbyist named Nick Naylor. If you've seen the trailer I should let you know that you saw most of the zingers in the film. Kara thought that 90% of the plot was also given away in the trailer and I'd tend to agree most people will go into this film knowing what it's about.

All that aside, what I found interesting were the underlying comments on truth & knowledge. Whether or not TYFS advocates an epistemology founded soley by superior debate skills it certainly gives that kind of thinking a lot of attention as Naylor never really deals with truth but is constantly reframing questions and countering with comparisons. Twice in the movie he mentors his son in the techniques of "moral flexibility" and truth-dodging through superior skills in argument. While Naylor is really the epitome of the souless lobbyist without a hint of conscience you really can't help but like him on some level, I especially liked his critique of his son's grade-school teacher. But that's part of his character, the guy you know you should hate, but find yourself caught off-guard by his charm or how he convinces you that by agreeing with him you're finally "thinking for yourself."

The other movie I saw this week was the 80's remake of The Thing from Another World titled The Thing. Kurt Russell is great as the cowboy helicopter pilot who has to hunt a shape-shifting, biology-mimicking alien down in the middle of a scientific base in Antarctica... with a flame-thrower! Because the alien can mimic any lifeform, everyone is suspicious of everyone else... who is the Thing?

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Thursday, April 06, 2006

Now Playing: Why We Fight

The Film Why We Fight, which I previously posted about is now available to watch IN FULL online at google videos for FREE. Check it out HERE.

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Sunday, April 02, 2006

African Movies

This past week I saw two powerful movies whose backdrop is the continent of Africa. The first, Tsotsi (Thug) is the South African film that took home the Oscar for best foreign language film this year. An incredible and moving tale of a young gangster named Tsotsi, living in the slums of Johannesburg who has become a hard and emotionaless shell of a human. In the midst of a car-jacking and shooting incident he finds out that his new BMW came with an infant. Hey, it's in the trailer so I don't feel like that needed a spoiler alert. The entrance of this infant into Tsotsi's life begins to break down walls that nothing could crack before. This was one of the most incredibly redemptive films I've seen in a very long time. This is one of the best films of the year period. It makes my top 3 of 2005 without a doubt.

The Constant Gardener is set in Kenya, where British diplomat Justin Quayle, and his wife Tessa, are stationed. Like Tsosti, this film is set largely in the slums of a large African city. Tessa is murdered very early on in the film and Justin sets out to find out why. As he digs deeper into the work Tessa was doing before she was killed he begins to uncover a pharmaceutical scandal. [spoiler alert] Companies were using HIV/AIDS medicine as leverage to make infected residents of the slums sign up for testing other medicines that hadn't been completed rather than going back to the drawing board and fixing their drugs. This film is a mix between a detective mystery and a love story, but what really stuck out to me were the scenes about the drug companies abuse of Africans. A very moving film for its love story, but downright depressing for its social commentary.

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Tuesday, March 21, 2006

Why Are You Wearing That Stupid Man Suit?


Just finished watching the director's cut of Donnie Darko. It was good the first time around and even better as a director's cut. Go check it out post-haste.

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Sunday, March 19, 2006

V for Vendetta and Christian Discipleship

Just got back from V for Vendetta... What a GREAT MOVIE! The Wachowski brothers are back in a huge way with this film. I really don't want to get into anything that might spoil this, because unlike most of the obscure movies I've posted about so far, you're actually very likely to go see this film. That being said you probably already know that this is a "political action movie" about a distopian future in England that draws considerably from current events.

Okay, I can't help it, I need to talk specifics (spoiler alert - do not read further until you've seen the film). The scene in the film where the Evey overcomes fear, even the fear of death is the moment at which she truly gains her freedom. Freedom is not something "given" or "protected" by governments, but simply IS. It is in our misunderstanding of freedom as a commodity or as "security" that we enslave ourselves to those who say they can protect us. This shows up several times in the film in the phrase "for your protection" plastered all over government vehicles and buildings. The public in the film, do not see themselves as living in the midst of tyranny. They are a technologically savvy and wealthy people who are living in a dictatorship but are blind to their situation because they are afraid of terrorists, disease, etc. and think the government is doing everything it can to protect them. Sound familiar?

One of the best books I've read, Torture and Eucharist (as well as Media Control), deals with the use of torture and kidnapping (in the Case of 1970's Chile) or fearmongering and propaganda (in the United States as seen in Media Control) as a means of making people submit to the will of a government. These tactics are very effective at splitting up groups of resistance. In Chile any groups that would stand to oppose the dictator, Pinochet, would be the target of kidnappings and torture. These groups of resistance quickly dried up. But as T&E author, Bill Cavanaugh shows, the Church would not simply go away in the face of such atrocities. The Church is comprised of a group of people, who when they really think about it gather together because of one who has defeated death, Jesus Christ. The Church is the body of people attached to Jesus, and who do not fear death. Noam Chomsky observes that, "there are institutions which it has as yet been impossible to destroy. The churches, for example, still exist. A large part of the dissident activity in the United States comes out of the churches. (p. 32)" So why don't more Christians approach life like the Evey that emerges from the false cell? Why are we just as scared and afraid as the average American? Why do Christians think they need "protection" from terrorism and disease and care deeply about "national security?" I wish we could take some steps towards "letting go" of our fears and indeed our lives. Perhaps the world is still a sick place because we Christians are too afraid to die to get involved in opposing those who oppress.

Thank God for Christian Peacemaker Teams, who show us what this fearless Christian life could really be like.


"People should not be afraid of their governments, governments should be afraid of their people."

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Sunday, March 12, 2006

Why We Fight

When I went with Kaz, Kara and Jeff to see Capote a few weeks ago at our local art-house theater here in Kansas City I saw a preview for a new documentary about the American war machine titled Why We Fight. I've been waiting somewhat impatiently to see it ever since. Lukily Kansas City is somewhat of a hub in the MidWest for art and dissenters alike so even though it took a while Why We Fight is actually playing in two theaters in the area, one in Olathe, KS of all places! Filmmaker Eugene Jarecki uses President Eisenhower's farewell address to the American people as the frame for the film. Eisenhower, a WWII general turned US President used his last public address as the President of the United States to warn the American people about the gravest danger that we as a nation faced... the expansion of the Military-Industrial Complex.

Even though Eisenhower was a proud WWII general he spent his time as President of the United States trying to reign in the growing power and military might that the United States was building up. Eisenhower had a keen sense that every dollar spent on "defense" and destruction meant that money would be taken away from education, health care and help for the homeless. In one speech Eisenhower actually details how many schools, hospitals, homeless shelters, etc. could be bought with the money spent on a bomber plane. Eisenhower appaerntly saw the growing militarism of the United States as the greatest threat to our way of life. He feared that the "defense" industry would become so ingrained in our economy that America would become addicted to the economy of warmaking. He tried in his eight years in office to keep a tight reign on this and reduce "defense" spending, but even the President of the United States he found out, could not hold back growing militarism. He was espeically worried about what would happen when a President was in power that didn't understand the military and war as intimately as he did... prophetic.

Why We Fight tells the story of the continaual militarization of the United States, while taking a closer look at several personal stories. Throughout the film we follow two Air Force F-117 pilots and their mission that began the Iraq War in March of 2003. We are also introduced to a retired NY Cop whose son died in the attacks on the Trade Center in 2001. We see his bloodlust and depression, and eventually his betrayal by the President he put his trust in. We also follow the story of William Soloman a 23 year old kid down on his luck and with no direction after his mother's death as he enlists in the Army to "instantly solve all his problems."

While I thought that Farenheight 9/11 was a timely film and brought up a lot of issues that needed to be discussed. I also can see that Moore probably just galvanized each side with his anti-Bush thesis and decidedly partisan treatment of 9/11. Why We Fight goes beyond an anti-Republican agenda and asks the very basic question, why do we fight? What are we fighting for? It debunks the fluffy answer given by the Administration and echoed by their supporters that we fight for "freedom." As if dropping bombs in Iraq somehow gives women in Mississippi the right to vote. The film takes a much closer look at the money congress continually spends on "defense," especially how the large war corporations like Lockheed, Boeing, etc. make sure that when they win a large bid to build a new weapon or plane for the US Military that the weapon/plane has parts of it built in every state in the Union. With this kind of pressure, even liberal democrats are pro-"defense" spending because it means jobs in their home districts.

The film also tackles what is an often overlooked facet of the Industrial-Military Complex today, the think tanks, especially the neo-conservative think tanks who run Bush's cabinet. This film is chilling and disturbing, but absolutely necessary for any citizen who wants to be informed rather than turn a blind eye to the growing militarism and imperialism of the United States (or the New Rome as the neo-cons unashamedly call it).

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Sunday, February 26, 2006

Peter Jackson's Humble Beginnings

Yet again my movie post is late, school, church and getting ready for Ash Wednesday make Charlie a busy boy. But boy is this week's installment a fun one. I just saw one movie this past week, another "horror" movie reccomended by Wil: Dead Alive. This is one of Peter Jackson's first films as director (3rd to be exact). What's truly amazing is that there are only three films betwen Dead Alive and Fellowship of the Ring on Jackson's resume. I mean granted, we all know that he's an amazing director now, but if I was the one making the decision about Fellowship and I had just seen Dead Alive, I'd have looked elsewhere.

Now, that's not to say that Dead Alive is a bad movie. In the realm of comedy/horror the likes of Shaun of the Dead and The Evil Dead, Dead Alive is a masterpiece on or above their level. But let's be clear, this is a comedy. Who ever saw past the turning zombies into salsa via a lawnmover to Jackson's wider range... bravo.

Okay, I'll actually talk a bit about this movie and give Jackson a break. Dead Alive starts off in familiar territory for Lord of the Rings fans, a rocky gorge that Aragorn & co. travel through to enter the mountain in Return of the King. This time, however, it looks more like a "demo tape" for admittance to film school than stellar filmmaking. But you already get the idea that this zombie movie will be funnier than most. Once the zombie virus is out and our New Zelander hero must do battle to keep his zombie mother at bay the laughs never stop. One of my favorite scences is when a Priest gets his kung-fu out on four zombies in a graveyard, pausing only to let slip this line, "I kick ass... FOR THE LORD!" From there on out the movie is a bloodbath. What water is to Waterworld, blood is to Dead Alive, it is the constant backdrop and compainion of every scene. But while its "gore" far exceedes such movies as Texas Chainsaw Massacare and the like, Dead Alive is able to do it in a comic way that never comes across as sadistic or evil... on the contrary the lawnmower turned zombie blender vanquishes evil...

FOR THE LORD!

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Monday, February 20, 2006

Saturday Post on Monday Night

My weekly Saturday Movie Post has been bumped to Monday this week. The youth groups at our church joined with another church and we held a 30 hour famine to raise money for World Vision this weekend, so I was busy planning, leading and not-eating this weekend. One of the last things we did before we broke our fast was watch The Power of One, a great movie about the struggle for equality in Apartheid South Africa and one young man's persistance to be a part of the solution even at very grave risk to himself and those he loved.

Grizzly Man
I first heard about this documentary from my friend Wil Ryland. This film uses the footage shot by Grizzly activist and filmaker Timothy Treadwell to tell the story of a very unique and bizzare man. While Treadwell was trying to make his own documentary film about his life with the bears, his footage tells a much deeper story, about his own demons and rejection of society. Treadwell lived with Grizzly bears for 13 summers before he was attacked and eaten by the creatures he came to idolize. One of the things I found so facinating about Treadwell himself was the polar and seemingly mutually exclusive understandings he had of Grizzly bears. On the one hand he was very well educated about bears, a true naturalist who had studied them and knew so much about them and their ferocity. On the other hand he approached them almost as if they were animated cartoons that would talk to him about how much they loved him. He held these two contradictory beliefs without any sense of tension at all. This is a must for any sociology student, as the real story is about Treadwell himself and not his life with the bears.

Lord of War
Filmmakers don't make trailers for movies, they make movies. Sometimes that's a shame, especially when a great film is misrepresented in its trailer. When I first saw the trailer for Lord of War, I thought to myself how cheesy it looked, how it painted with such a broad and watered down brush over a serious issue (the international arms trade) that it would do more bad than good. So I just ignored it and moved on to other movies instead. Then a while after it came out on DVD people started seeking me out asking what I thought of it, when I told them I thought it looked cheesy so I never saw it I was reprimanded. Well I got that response enough that I thought like Crash, perhaps I had just misjudged a great movie. Indeed I had. The film opens with what has to be one of the most memorable opening sequences I have ever seen: the life of a bullet, from being molded in the factory to entering the body of it's victim. And so the movie goes, showing the tragedy meeted out by "small arms" like the AK-47 all over the world. We meet Yuri Orlov, played by Nicholas Cage (who finnaly found his way into a good film, even if he isn't amazing in it) who becomes an arms dealer very young in life selling Uzis to gangsters in the Bronx. He eventually moves up to the "big leagues" and starts selling used American weaponry after the US has pulled out of a region and left all their guns behind. When Yuri breaks into the international arms trade he starts sellling and buying from some of the worst human-rights offenders on the planet, but for him it's all about making a buck.

The film is a good look inside what is happening around our world because of the arms trade, it opens the conversation about child soldiers in Africa as well as how the support of one group of "freedom fighters" against another is often a choice between evil and evil. If you saw it in the theaters, go rent it again for the short documentary on the international arms trade that's found in the DVD special features. The acting in Lord of War isn't going to win anyone an oscar, but the subject matter it covers is usually only tackled by documentaries and while they are more informative and perhaps even more condemning of the international arms trade, Lord of War, brings the discussion to the masses, especially those who would never watch a documentary but would be psyched to go see a cheesy war movie.... so perhaps that misleading trailer wasn't a bad idea after all.

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Sunday, February 12, 2006

Saturday Movie Post Debut

This week I'm launching something new on my blog, the Saturday Movie Post. Every Saturday I'll take some time to post about films I've seen the previous week, thoughts on film in general, etc. So without further adieu...

An 80's Thriller That Didn't Suck
I saw Spoorloos a.k.a. The Vanishing recently at the reccomendation of Wil Ryland, in the comments section of a previous post where I asked, "What Are Your Favorite Scary Moives?" This late 80's Dutch/French movie starts off with a quaint lovers road trip but soon one of the main characters... vanishes (surprise). Much like the excellent Donnie Darko, The Vanishing appears to waste a lot of time with realatively mundane content for a horror/thriller movie... but like Darko the end of this movie made me think that the slower, middle part of the film was just giving me a false sense of security. This is one deliciously dark film.

The Oscars
This year I was really impressed by the crop of films nominated for Best Picture. I've seen all but Munich so far but to be fair, it just came out and I have been planning on seeing it since it has (thus keeping with my yearly "see all nominated films before they are nominated" goal). I thought that Jarhead and Syriana would have been given more consideration for the Best Picture category but 2005 was such a strong year for intelligent great filmmaking that they didn't make the cut (not a bad problem to have for those of us in the audience!). But seriously folks, I really did feel like Jarhead was my generation's Full Metal Jacket. Speaking of Donnie Darko, best pic nom. Brokeback Mountain and Jarhead... Jake Gyllenhaal is racking up quite the resume.

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Saturday, December 31, 2005

The Best of the Past Year...

It's that time of year when everyone is reflecting back on 2005, taking stock of what it meant to us and what we enjoyed the most and least about the past year of our lives. The DJs are all playing their top 10 albums and the Academy Awards will soon pass judgement on the past year in flimmaking. And since I have a blog I'm obviously supposed to pass some of my own judgement, if for no other reason, so that you all may sleep better at night having known my opinions on such things... so here goes (feel free to disagree and post your own "best of" to rebut my foolishness).

Albums
5. Foo Fighters - In Your Honor
4. Weezer - Make Believe
3. The White Stripes - Get Behind Me Satan
2. Jack Johnson - In Between Dreams
1. Death Cab for Cutie - Plans

Films [updated]
[this is a fluid list because I have yet to see Capote, A History of Violence, Millions, North Country and others]
5. Brokeback Mountain
4. Walk the Line
3. Jarhead
2. Crash
1. Good Night, and Good Luck

TV Shows
5. Squidbillies
4. CSI
3. The Daily Show with Jon Stewart
2. The Office
1. The Colbert Report

Books [updated]
[the first two were actually published in 2004]
3. The March by E.L. Doctoro
2. Tortured Wonders by Rodney Clapp
1. Generous Orthodoxy by Brian McLaren

...wow so after that woefully incomplete list, I'm looking forward to your "best of," so start commenting.

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Tuesday, December 13, 2005

The Death Penalty & Advent

Tonight as I settled into bed the tv was on... Rita Cosby was on MSNBC interviewing what seemed like everyone who had an opinion about the execution of Stanley "Tookie" Williams. Those who supported Tookie's execution invoked in me a saddness. If you've ever seen or read Dead Man Walking, you have an idea of the kind of hurt that leads people to choose revenge over redemption. The families that choose vengance over forgiveness feel as if they cannot rest until the murderer is also dead, but more death never brings closure or justice. Besides my opinion that a family's need for closure is not a good enough reason to kill a human being, I am convinced that Christ teaches his followers that only forgiveness will bring healing for these families, not death.

If Tookie did commit those murders, the hurt and pain and loss that he unleashed not only on the family & friends of the victims, but moreso on our creator God are real. And our God is a God of justice, but unlike California our God's idea of justice is absorbing just such violence and hate, not returning it.

In this season of Advent we should be quick to remember that our God saw fit to "stretch Mary's womb" as my friend Lucas sings. And why did the God of Abraham decide to become God with us? Did God just need physical hands to "smack us upside our head with a 2x4" as so many people are wont to say? No, Jesus was born into this world to save it, not to condemn it (Jn. 3:17). Our God became a human being, so that through the body of Jesus all our bodies might also be redeemed. Jesus absorbed the hate and violence that this world hurled at him, and returned none. By returning only grace and love, even to his very executors, Christ gives the practice reconciliation to those who would live in his way and become his disciples. Revenge and returning evil for evil is not the way of the lamb that was slaughtered or the WORD who was born of the virgin Mary to save the world. That baby didn't save the world with atomic bombs or execution chambers, he did through his own death.

Jessie Jackson brought up something that I think is very worthy to note. Jackson reminded Christians who have allowed their hearts to deny redemption that our history is full of redeemed people. Moses, King David and St. Paul were all murderers but were also redeemed and used by God. I think that we like to hear that our saints were ex-murderers or rapists because it gives an edge to our story, makes the love of Christ seem radical. But while we quickly tell the scandalous stories of our own reformed heroes we are far less speedy to apply that radical love to our enemies. How can we marvel at Saul's transformation into Paul the Apostle but burn with hate for Tookie Williams? Oh that we would not find ourselves above our saviour and Lord, thinking that we're worthy to rescind the grace we as followers of Christ must show to others. If we who have been saved from our sin and forgiven by a gracious God cannot in humility also learn to forgive others, what faith have we?

Peace of Christ to the victims and those who loved them.
Peace of Christ to Tookie. Tonight may you be met with grace in the arms of our Saviour.

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Saturday, November 12, 2005

Good Night, and Good Luck.

Tonight I saw what has to be the best movie I've seen all year (even besting Crash). Good Night, and Good Luck was written and directed by George Clooney and stars David Strathairn as Edward R. Murrow, the CBS journalist who's editorial show helped turn public opinion against Wisconson senator Joseph Mcarthy and his witch-hunt of suspected communists or communist sympahtizers during the 1950's. This film, is as much a commentary on the present state of politics and media in the United States as it is anything else. The film beigns with a speach Murrow gives in the late 50's where he prophecies the doom of televison as a medium. His chilling words are prophetic when he speaks about televsion becoming nothing more than wires and lights meant to entertain and lull the already comfortable and rich into further complacency. I was reminded of a speech I'd heard Noam Chomsky give in the Distorted Morality, when he mentioned that professional sports are a huge drain on the brains of Americans. Most of us pay far more attention to how certian sports teams are doing than we do to foriegn policy, among other issues which actually matter to the future of our society and the good of the world. Now while I will continue to watch the Broncos play on Sunday's I think I've all but renounced SportsCenter, and will certianly be trimming down my television watching to the bare minimum. I need to read more, and watch less TV. If Bowling Alone by Robert Putnam didn't convince me of that, Good Night, and Good Luck sealed the deal.



Good Night, and Good Luck.

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Monday, October 31, 2005

What Are Your Favorite Scary Movies?

I love a good scary movie. There's just something about that adrenaline rush from the unexpected frightful moment, or better yet the slow build of tension that leaves you anxious and on edge the entire movie without relieving that tension with a big frightul moment.
Last year around Halloween I was on this scary movie kick and decided to do a little research on the "scariest movies ever." I was actually disapointed with a lot of the top 10, but hadn't seen the classics Friday the 13th and Poltergiest. So my cousin Chad and I went down to Blockbuster and rented these two flicks. On our way back to the appartment we decided to get some snacks. When the 7Eleven clerk rang up our order the total came out to $6.66!
He said that it had happened only once before and the last time the customer was hit by a truck in the parking lot. OoooooOOooooOOoooo. Anyway, both of these movies were dissapointing as well. Some really good scary movies I've seen over the past few years have been The Ring, What Lies Beneath and 28 Days Later. Do any of you have suggestions of just all out scary movies?

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