
[disclaimer: full of spoilers]
A couple years ago I read an excellent book called How Movies Helped Save My Soul that has affected my Blockbuster Queue ever since. One such film was High Plains Drifter. HPD was just the third film Clint Eastwood directed and it foreshadows a long line dark films to come. HPD tells the story of a nameless stranger who rides across the eerily quiet and suspicious desert mining town of Lago. Within minutes of his arrival three men pick a fight with the drifter while he’s getting a shave. The stranger kills all three men for their trouble, all while sitting in the barber’s chair. Immediately after the barber shop scene a young woman bumps into the drifter in the street in an effort to flirt. Not impressed, the stranger derides her attempt to introduce herself and then drags her to a barn where he rapes her while the people of Lago turn a blind eye. In the very next scene we find out that the leaders of the town have called a meeting to decide whether or not they should hire the stranger to protect them from some soon-to-be-released outlaws that are sure to return to Lago with revenge on their minds.
The town leaders in Lago find the stranger’s ruthless amorality to be an asset rather than an affront. The townspeople are a cowardly bunch and cannot stomach defending themselves against the immanent threat of the outlaws and despite all appearances that the drifter is the devil himself they agree to hire him to defend their town for them. When approached with the offer the drifter refuses, shrugging off the threat to the town as not his problem. In an effort to sweeten the pot, the sheriff offers “anything” the stranger wants in order to defend Lago. “Anything?” the stranger asks? And at this point you know that the people of Lago have truly made a deal with the devil.
The stranger turns the whole town upside down, making the Barber’s diminutive servant into both the sheriff and mayor, handing out free booze to everyone in town, kicking everyone out of the town’s hotel to keep for himself. In “preparation” for an ambush on the returning outlaws the stranger turns everyone in the town against each other and begins to dismantle their lives piece by piece. Some turn on him and they pay with their lives.
In one of the most telling scenes of the film happens just outside of town in the cemetery next to the town sign. The stranger is painting something on the sign when he tells the people of Lago to get to work painting all the buildings of Lago blood red. The preacher complains, “You can’t possibly mean the church too.” And the stranger responds, “I mean especially the church.” With resignation the saloon owner says, “Alright, I’ll paint if you say we’ve got to, but when we get done this place is gonna look like hell.” As the camera pans from the people returning to town to the sign we see that the drifter had painted the word HELL over the town’s name - LAGO.
HPD really blurs the lines between the western genre and the horror genre and pushing it further into horror territory is Dee Barton’s hair-raising score reminiscent of the 70’s horror classics. The score is at it’s most terrifying during the flash-back scenes where we learn that the three outlaws who are returning had whipped Lago’s marshall to death in the street while people in the town all watched.
When the three outlaws finally come riding back into town the stranger slowly rides his white horse out of town leaving the people of Lago to deal with the prisoners themselves. The men wreak havoc on Lago, setting man of the buildings on fire, killing man and corralling the rest of the people together in one room where they would take their revenge for serving time in jail for a murder the people of Lago had hired them to do.
Only then does the stranger return. He drags one of the outlaws out of the saloon in the night, while the red buildings are burning in the background and kills him the same way he killed Lago’s sheriff - with a whip in the middle of the street. The people scatter and the stranger eventually gets to each of the other two outlaws and by this time in the film there is no doubt that Lago is Hell. The people of Lago had their own marshall killed by three men that came back to take revenge for having to serve time for their crime, and they hired a stranger to defend them who killed the three prisoners but also brought the gates of hell right to their front door.
In the last scene of the film the stranger is leaving a smouldering, ruined Lago with an expanding cemetery when he pauses by Mordecai who is finishing up the tombstone for the murdered marshall. Mordecai looks up at the stranger and says “I never did know your name.” To which the stranger responds, “Yes you do.” As the stranger rides off into the distance on his white horse the camera zooms in on the tombstone which reads “Marshall Jim Duncan | Rest in Peace.” One interpretation is that the stranger is the devil, but the more likely the stranger was the avenging ghost of the murdered marshall. Either way the stranger represents some kind of supernatural incarnation of wrath and vengance.